Two young women lean against an orange car, one with her right hand on her head. One looks to the left off screen, the other looks to the right.

About Caribbean International Film Festival 2024

The Caribbean International Film Festival returns with a vibrant selection of stories from the Caribbean region. With themes of hearty struggle, familial bonds, and the anchoring of tradition, this lineup of short films showcases a diverse array of stories, blending fiction and non-fiction, that invite audiences to explore the multifaceted nature of authentic life in the Caribbean.

One short film - Getaway - contains references to a school shooting, which may be distressing for some viewers. Viewer discretion is advised.

Short films

Madulu, The Sea Man – Akley Olton (St. Vincent and the Grenadines)

In an attempt to preserve the rich history of a dying tradition in the wake of economic struggles brought on by the tourism industry, this lyrical film weaves documentary footage with animated sequences of young Amari's drawings, using a touch of magical realism to explore the divide between past and present and new interpretations of old traditions.

Un Dia – Nathan M. Legger (Aruba)

Natalia, the owner of a restaurant on the happy island of Aruba, struggles to keep her business afloat. We follow her on one of the busiest days of the year as she deals with unsatisfied customers, her problematic brother, and continuous cancelled reservations.

Tingum – Lavado Stubbs (Bahamas)

Tingum, a young Bahamian mixed-race vampire on the sun-drenched island of Eleuthera, Bahamas, desperately tries to save her vampire parents' crumbling marriage. As she narrates the story through poignant voiceover, Tingum grapples with the complexities of her own identity, her parents’ betrayals, and the hard reality that not every story ends with a fairytale resolution.

When Kites Fly – Keya Bartlett and Kwame Lestrade (Barbados)

A look at the contentious past-time of kite-flying, seen by kite lovers as sources of comfort and even symbolic representations of themselves, while seen as a constant source of irritation to many others in the Barbadian community.

Getaway – Malaika Paquiot (Jamaica/USA)

With a backdrop of civil unrest in the United States, a Jamaican immigrant gives her and her troubled pre-teen a reprieve with his first trip to her homeland. As they ease into the change of pace, Mom gets shocking news that forces her to make a life-changing decision.

This film contains references to a school shooting, which may be distressing for some viewers. Viewer discretion is advised.

The Hip Hops – Sandra Vivas (Dominica)

A story of disability and inclusion from the point of view of a child, based on the filmmaker’s own life.

Trinidad Remains – Karen Martinez (Trinidad and Tobago/UK)

British-born Nikki Hastings reluctantly travels to the island of Trinidad to scatter the ashes of her estranged grandmother. Accompanied by her polar-opposite, free-wheeling cousin, Jade, and her unreliable old car Goldie, they embark on a memorable journey across the country.

When I'm With You – Kanja Chen (Jamaica/Canada)

An emotional tale of how the enduring love between a young boy and his grandfather bridges the gap between generations.

Parole – Lázaro González González (Cuba/USA)

Amidst the bustling streets of San Francisco, WhatsApp audio messages become the filmmaker’s sole connection to his mother after several years of exile. Now, her yearning for reunion hinges on the fragile hope of the Biden Administration’s Humanitarian Parole for Cubans. Wrestling with the dissonance of academic challenges and the relentless hum of rent worries, this film takes the form of a love letter echoing the filmmaker’s present.

MAS – Miquel Galofre (Trinidad and Tobago)

This vibrant film plants the audience in the midst of Trinidad and Tobago Carnival, also known as the greatest show on earth. Join us to “play mas”!

The Barbadian Matriarchy of Fishing – Jawade Elibox (Barbados)

This touching film highlights the role of women in the fishing industry, sustainable development, and the future of the ocean. Expect a healthy portion of broken gender norms, community resilience, and lessons on knowledge transfer.

Booking info

To book Accessible tickets and free Companion tickets, please visit our Accessible Bookings page. Companion tickets will initially show a standard ticket price, but once your account is set-up and you are logged in, this will be reduced to £0 at checkout.

Duration includes trailers, adverts and any Q&A/panel. For events such as NT Live, Colour Box and Reel & Meal there will be minimal advertising. We do not admit latecomers after the main feature has started and we have a limited food & drink policy.

MAC’s cinema programme has been generously supported by BFI Film Audience Network and Film Hub Midlands.

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