The focal point of the image is a large 18th-century portrait painting showing a well-dressed gentleman in period attire (powdered wig, ornate coat) holding what appear to be dead game birds - likely a hunting trophy portrait common among aristocracy of that era. The painting demonstrates the baroque or rococo style typical of European portraiture from that period. In the museum space, a man in contemporary casual clothing (dark sweater, light pants) stands looking at the painting, creating an interesting juxtaposition between past and present. In the background, another visitor can be seen viewing other artworks on the gallery walls.

About The Mastermind

Celebrated filmmaker Kelly Reichardt (First Cow, Showing Up) directs an unforgettable Josh O’Connor in The Mastermind, her latest cinematic triumph. 

In a sedate Massachusetts suburb circa 1970, unemployed family man and amateur art thief J.B Mooney sets out on his first heist. With the museum cased and accomplices recruited, he has an airtight plan. Or so he thinks. A brilliant look at the folly of man, rich in textured detail, this sly depiction of an era subverts long-held illusions and confronts disillusionment.
 

Booking info

To book Accessible tickets and free Companion tickets, please visit our Accessible Bookings page. Companion tickets will initially show a standard ticket price, but once your account is set-up and you are logged in, this will be reduced to £0 at checkout.

Duration includes trailers, adverts and any Q&A/panel. For events such as NT Live, Colour Box and Reel & Meal there will be minimal advertising. We do not admit latecomers after the main feature has started and we have a limited food & drink policy.

MAC’s cinema programme has been generously supported by BFI Film Audience Network and Film Hub Midlands.

Dates and times