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List of Events

  1. A vibrant performance photo capturing two singers sharing a microphone on stage during what appears to be a live concert. The woman on the left wears a striking red sequined top with gold embellishments and has blonde, curly hair. The man on the right is dressed in a black, sparkly jacket and has reddish-brown hair. Both performers are captured mid-song, clearly enjoying the moment together.

    Song Sung Blue


    Cinema
  2. The image captures two characters in an outdoor setting - an older gentleman in casual formal attire (black jacket and white shirt) and a younger woman in a glamorous, sequined sleeveless dress who appears to be expressing joy or excitement with her arms outstretched.

    Sentimental Value


    Cinema
  3. A South Asian man in his thirties sits on a chair, holding his right hand to his head in the shape of a gun. He is wearing a white jumper with the Blockbuster Video blue and yellow logo on it. We can also see the words 'Oh What A Difference' underneath the logo. There is a golden chair with a red velvet seat in the background.

    NT Live: Hamlet


    Cinema
  4. A photo depicting armed horsemen in Middle Eastern military attire from the early 20th century. The scene shows several riders on horseback moving through an arid landscape with olive trees in the background. The lead figure on the black horse wears a tan/khaki military uniform with a traditional keffiyeh (head covering), and carries what appears to be a rifle. The group behind him also sports similar period military dress and headwear.

    Palestine '36


    Cinema
  5. A woman in a red dress and apron stands facing a man in a gray shirt in a lush, moss-covered forest setting. They appear to be having an intimate conversation among fallen logs, ferns, and dense green vegetation. The natural lighting filters through the trees, creating a romantic and atmospheric woodland scene.

    Cinema Bambino: Hamnet


    Cinema
  6. A young man (Ben Whishaw) in a blue and green plaid flannel shirt, positioned in what looks like a thoughtfully composed shot. The lighting is soft and natural, coming from what seems to be a window, creating a gentle illumination on one side of his face while leaving subtle shadows on the other.

    Peter Hujar's Day


    Cinema
  7. The image shows a young woman in the foreground, dressed in a burgundy or rust-colored garment, with her hands clasped together in what appears to be prayer or anguish. She's positioned at what looks like a wooden barrier or railing, with a large crowd of period-dressed townspeople gathered behind her, all wearing earth-toned clothing and various head coverings typical of peasants and commoners from that era.

    Hamnet


    Cinema
  8. A woman in her forties (Victoria Wood) with short blonde hair wearing a black blazer with a blue blouse sits on a dark pink sofa chair. She clasps her hands between her legs as she smiles at the camera.

    Becoming Victoria Wood


    Cinema
  9. We see two men in formal 1930s or 1940s-era attire sharing an intimate, warm moment at a piano. The scene has a rich, golden-toned lighting that creates an atmosphere of elegance and closeness. One man is seated at the piano while the other leans in close, both smiling genuinely at each other.

    The History of Sound


    Cinema
  10. Nuts In May + Alison Steadman & Roger Sloman Q&A


    Cinema
  11. A heartwarming scene from a community event centered around an impressively large pumpkin. The image shows a family of four - two adults and two children - gathered around what looks like a giant competition-sized pumpkin, the kind you might see at a harvest festival or pumpkin-growing competition. The setting has a lovely rural or farm atmosphere, with a tractor visible in the background, wooden structures, and autumn foliage. Everyone seems engaged and interested in examining this enormous gourd, which has that characteristic pale orange color and thick, twisted stem that giant pumpkins develop.

    Colour Box: Grow


    Cinema
  12. This is a striking image that captures an unusual and intimate moment. A woman is filming a bird of prey—which appears to be a hawk or similar raptor—perched on a stand indoors. The bird is positioned on what looks like a small table or perch, and she's getting quite close with what appears to be a video camera or camcorder. The woman's posture shows concentration and careful observation—she's maintaining a respectful distance while trying to capture footage, and the bird seems unbothered by her presence. The lighting and composition give the image a cinematic quality, almost like a still from a film.

    Cinema Bambino: H is For Hawk


    Cinema
  13. A photograph of a female falconer with their bird. The image shows a woman in outdoor clothing (an olive green jacket and blue layers) holding what appears to be a goshawk or similar raptor perched on her gloved hand. The bird has distinctive blue-grey plumage on its back and a barred pattern on its chest. The setting is atmospheric – captured during golden hour with soft, warm light illuminating dry grasses in the background while darker vegetation creates depth. The falconer's gaze is directed away from the camera, suggesting a moment of focus or contemplation, perhaps scanning the landscape or watching for prey.

    H Is For Hawk


    Cinema
  14. A man in his fifties (Martin Freeman) with grey hair looks off to the left of the frame. He is wearing a blue denim shirt and a light brown jacket.

    NT Live: The Fifth Step


    Cinema
  15. Four professionals are gathered around a laptop. A man in a white sweater is seated at the center, holding a phone while working on the laptop. Three women are standing around him, leaning in - one wearing a beige blouse on the left, one in a white hijab in the center-back, and one in blue on the right.

    The Voice of Hind Rajab


    Cinema
  16. We see a scene from what looks like a sauna or steam room, with two men sitting against a distinctive terracotta-tiled wall. The younger man on the right is wearing an Ireland national team football jersey with "eircom" sponsorship visible on it. The older man on the left has a towel draped around his shoulders.

    Saipan


    Cinema
  17. The black and white image shows a film production on location in Paris, with the Arc de Triomphe visible in the background. The scene depicts a director (in the suit and fedora) working with an actress wearing a "New York Herald Tribune" sweater - a distinctive costume choice that became iconic in French cinema of this era. Behind them, crew members are setting up equipment, including what looks like a camera on a tripod under a cloth covering.

    Nouvelle Vague


    Cinema
  18. A Baroque painting from the 17th century, showing a dramatic religious scene. The composition features an elderly, bearded figure with a halo (indicating sainthood) in the lower portion, rendered in warm earth tones of orange and brown. Above him, an angel figure in flowing white drapery appears to be descending or in motion against a dark background. The painting demonstrates classic Baroque characteristics: dramatic chiaroscuro (the stark contrast between light and dark), dynamic movement suggested by the flowing fabrics and positioning of the figures, and the theatrical, emotionally charged composition. The use of tenebrism - where figures emerge from deep shadows into dramatic light - is particularly evident here.

    Exhibition On Screen: Caravaggio


    Cinema
  19. The animated image shows two characters - a small child character with distinctive features including mismatched eyes and stitched-looking hair, wearing a dark striped sweater and holding a candle in a candlestick holder. They're looking up at a much larger character who appears to be some kind of creature or monster with orange/brown fur, large expressive eyes with green irises, and a gentle, friendly expression.

    Stitch Head


    Cinema
  20. We see a collection of cartoon animals in a staged pose - a fox in a tie and pink shirt with a sly grin on his face, a large blue snake with a huge smile on its face and a cheery bunny rabbit wearing human clothes. They all stare at the camera smiling and are standing on the edge of what looks like a wooden dock, with a pile or rope on the right hand side of the image.

    Pay What You Choose: Zootropolis 2


    Cinema
  21. Hand drawn artwork showing a young person in profile, holding what appears to be a small bundled cloth or bag, set against a warm, golden-orange sky. The character is wearing a backpack and simple clothing.

    Falasteen On Film Animated Shorts


    Cinema
  22. This is a joyful photograph showing a group of Palestinian children and young people gathered together, appearing to be in good spirits. In the front row, several younger boys are smiling at the camera, with one wearing a light-colored sweatshirt and another in a gray shirt. There is a grey bird sitting on the shoulder of the central child. Behind them stand older youths in casual clothing including hoodies and jackets.

    Falasteen On Film presents With Hasan In Gaza


    Cinema
  23. A photograph of two Palestinian young boys sitting together on a couch. The older boy on the right is wearing a plaid shirt and appears to be using sign language towards the camera, while the younger boy on the left in a yellow t-shirt with "ROCK" printed on it has his hand near his mouth in a shy pose. They're seated on what looks like a dark velvet couch with decorative fringe trim against a plain white wall.

    Falasteen On Film Accessible Shorts


    Cinema
  24. An Asian man in his forties holds up a large ceramic or porcelain pot that's being creatively repurposed as a planter, with a small tree growing from it. The pot appears to be a traditional Asian-style container, possibly a vintage piece, with blue decorative elements visible on its white surface. The drainage holes at the bottom are clearly visible. The photograph is taken from a low angle, making the person and pot appear dramatic against the cloudy sky. In the background, you can see a multi-story residential building and some hillside greenery, suggesting an urban Asian setting.

    No Other Choice


    Cinema