About our events



List of Events

  1. We see a bespectacled man seated in what appears to be a spacecraft cockpit, wearing an orange safety harness over a casual t-shirt and glasses. The cockpit is filled with glowing instrument panels, switches, and screens. His left hand is raised as he holds onto something above him and he also has what looks like a small screwdriver or pen behind his right ear.

    Project Hail Mary


    Cinema
  2. We see a family - a father, mother and three children - moving along a high rocky outcrop, a black and white dog by their feet. They each have rucksacks on and we can see patches of green on the rocks as they move down the mountain.

    The Love That Remains


    Cinema
  3. An older woman with short blonde hair (Marianna Faithfull), dressed in a black blazer and tie, sits at a desk examining papers. A younger man in a white dress shirt and loosened tie leans over the desk beside her, holding glasses in one hand and pointing at documents with the other. A large, dramatic close-up of a face is projected on the backdrop behind them.

    Broken English


    Cinema
  4. Two middle-aged adults stand facing each other on a bridge over an Amsterdam canal, holding hands. The man wears a dark grey coat and scarf; the woman wears a teal coat with a plaid burgundy scarf. In the background, a historic clock tower rises above tree-lined canal banks flanked by traditional Dutch brick buildings, with boats and bicycles visible along the waterway.

    Midwinter Break


    Cinema
  5. The image shows an elderly man in a dark navy double-breasted suit with a patterned tie and gold-framed glasses. He has a stern, serious expression and silver hair. He looks at the viewer and we also see three blurred figures in the background.

    La Grazia


    Cinema
  6. A woman with blonde hair (Jessie Buckley) lies unconscious on a flat surface, wearing a gold metallic top and a voluminous orange skirt. Metallic tubes and cables are attached to her torso, spreading outward like mechanical tendrils. Two large spherical devices flank her on either side. The background is filled with a tangle of wires and cables in a dimly lit, industrial setting. The image has a dramatic gothic aesthetic.

    The Bride!


    Cinema
  7. We see a black and white photograph of a man (author George Orwell) sitting at a typewriter with a cigarette in his mouth, surrounded by bookshelves in the background.

    Orwell: 2 + 2 = 5


    Cinema
  8. NT Live: All My Sons


    Cinema
  9. A female performer stands centre stage on a brightly lit theatre stage, arms outstretched and smiling, wearing a blue and gold sequined flapper-style dress with gold floral embroidery and silver T-strap heels. The stage is lined with warm amber footlights. Behind her, a grand ornate opera house interior is projected as a backdrop, featuring gilded balconies, arched ceilings with painted murals, and warm glowing wall sconces.

    Funny Girl: The Musical


    Cinema
  10. We see a man on horseback (Cillian Murphy) surrounded by a crowd in post-WWI Birmingham, with impressive period architecture in the background. The crowd reaches out to the man on horseback, whose clothes are muddy.

    Peaky Blinders: The Immortal Man


    Cinema
  11. A black and white photograph of a young man standing on a sandy beach, one hand resting on a wooden railing or structure. He wears an open, loose-fitting striped shirt over a vest and high-waisted trousers with a belt. His hair is slightly tousled. The sea with breaking waves is visible behind him, and the sky is hazy. The composition is framed by diagonal wooden beams in the foreground.

    The Stranger


    Cinema
  12. We see a woman (actress Kim Novak) with platinum blonde hair swept up in an elegant updo, wearing a dark top and holding a sheer lavender/grey scarf. She has a cool, composed expression and is photographed against a dramatic cloudy sky, giving the image a moody, cinematic quality.

    Kim Novak’s Vertigo


    Cinema
  13. Exhibition On Screen: Turner & Constable


    Cinema
  14. A striking black-and-white film still. An older working man in a flat cap, braces and rolled-up sleeves is hauling multiple worn tyres and a battered metal bucket along a rural dirt track, fields stretching out behind him under a grey sky. He looks directly into the camera with a weathered, stoic expression — burdened but unbowed.

    Redoubt


    Cinema
  15. A photograph of a female falconer with their bird. The image shows a woman in outdoor clothing (an olive green jacket and blue layers) holding what appears to be a goshawk or similar raptor perched on her gloved hand. The bird has distinctive blue-grey plumage on its back and a barred pattern on its chest. The setting is atmospheric – captured during golden hour with soft, warm light illuminating dry grasses in the background while darker vegetation creates depth. The falconer's gaze is directed away from the camera, suggesting a moment of focus or contemplation, perhaps scanning the landscape or watching for prey.

    H Is For Hawk


    Cinema
  16. Two young adults sit together on a wooden parquet floor in front of an ornate white fireplace, reading a letter or document. The male on the left wears a white t-shirt and has long dreadlocks; the female on the right leans on the man's shoulder, wearing a red tank top and denim skirt. The setting appears to be an elegant but bare room with decorative wallpaper.

    Father Mother Sister Brother


    Cinema
  17. Two younger Japanese women in 1950s-style clothing face each other in profile against a bright blue sky with scattered clouds. The woman on the left wears a pale pink striped short-sleeve blouse and has dark curly hair with a decorative clip. The woman on the right has dark hair in an elegant updo and wears a soft pink short-sleeve dress with a patterned scarf tied loosely around her neck. Both women wear white gloves and rest their hands on a dark wooden railing

    A Pale View Of Hills


    Cinema
  18. A classic photo booth strip — the kind you'd find in an arcade or train station. The two shots are a contrast: one where the younger man and woman are pulling exaggerated, goofy expressions, and one where they've switched to completely deadpan, serious faces. The black and white format and the style of the clothing and hair suggest this is probably from the 1970s or early 1980s.

    Flatpack 2026: Victoria Wood - The Birmingham Years


    Cinema
  19. The image is a striking black-and-white close-up portrait of a middle-aged Asian man. He's wearing a dark baseball cap and has a short beard. The lighting is dramatic and moody, with deep shadows emphasizing the texture of his face. His expression is intense and somewhat unsettled — eyes wide, mouth slightly open.

    Flatpack 2026: After Eight - The Story of Satpal Ram + Q&A


    Cinema
  20. We can see a lady in her twenties on stage holding a microphone, wearing a striking pink and black zebra-print jumpsuit. They have long auburn hair with hair clips, layered necklaces, and rings, and are gesturing expressively with one hand. The stage is lit with purple and blue lighting against a dark background.

    Flatpack 2026: Comedy Selection Box


    Comedy
  21. A colourful 3D animated scene showing a small, round-headed cartoon character with a tiny yellow cap and blue dungarees, clinging to the diagonal frame of a large orange and yellow pushchair or pram. The character peeks out with wide, curious eyes. The pushchair has bright pink wheels and sits against a vivid green grassy background.

    Flatpack 2026: Colour Box Bingo


    Cinema
  22. A grainy black-and-white photograph showing various protesters at what appears to be a demonstration or picket. The protesters are holding placards with slogans including "DOWN WITH UNION MANAGEMENT COALITION" and "FROM THE COTTON [FIELDS] TO THE [FACTORY]", protesting against conditions faced by Black workers in industry.

    Flatpack 2026: Handsworth Songs + Q&A


    Cinema
  23. We see a younger man and woman (both white) in what appears to be a vintage photograph, likely from the 1970s or 1980s based on the clothing and video quality. One person is wearing a plaid/tartan hat and colorful clothing, while the other is wearing a peaked cap/visor pulled down low over their face, a red scarf or neckerchief, a brown jacket, and a round badge/pin on their lapel. The image has the characteristic grainy, slightly washed-out look of VHS or early video footage.

    Flatpack 2026: Curriculee Curricula


    Cinema
  24. A charming animated illustration depicting a pétanque (boules) scene in what appears to be a sunny South of France setting. Three men are gathered around the metal balls on a dusty court — one crouching to inspect the positions of the boules, while the other two look on with expressions of concentration or mild dismay. The scene has a lovely film shoot backdrop: there's a movie light on a tripod, a sign in French reading "On tourne" (meaning "We're filming" or "Action!"), director's chairs, and orange parasols.

    Flatpack 2026: A Magnificent Life


    Cinema