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List of Events

  1. We see a man on horseback (Cillian Murphy) surrounded by a crowd in post-WWI Birmingham, with impressive period architecture in the background. The crowd reaches out to the man on horseback, whose clothes are muddy.

    Peaky Blinders: The Immortal Man


    Cinema
  2. We see a Brazilian man in his 40s with a beard wearing a light blue short-sleeved shirt, leaning on a wall and standing outdoors in what looks like a rural or agricultural setting. There's a yellow vintage car beside him, and sugarcane fields are visible in the background under a partly cloudy sky.

    The Secret Agent


    Cinema
  3. A Japanese woman in a green blazer grabs a Japanese man's patterned tie, both facing each other with intense expressions. There's a red curtain and a dartboard visible in the background.

    The Japan Foundation Touring Film Programme 2026: The Hotel of My Dream


    Cinema
  4. Two men and one woman sit on some luggage in the middle of a barren desert. Another older man stands next to them, his right hand on his hip. The sun beats down relentlessly as one of the sitting men stares at the ground in a forlorn manner.

    Sirat


    Cinema
  5. We see a younger Japanese man with auburn/reddish-brown hair and round glasses, wearing a black oversized shirt over a white top, holding what appears to be a Japanese newspaper. The setting looks like an outdoor urban area, with a chain link fence visible behind him.

    The Japan Foundation Touring Film Programme 2026: Sham


    Cinema
  6. An older Black man wearing a trilby, brown suit and yellow waistcoat hugs a smiling Black woman with his right hand. She is wearing a black coat and a pink hat. They are standing in a train station, the word Loughborough Central visible on a blue and white sign behind them.

    Milestone: Streets Paved With Gold + Q&A


    Cinema
  7. Two young Japanese people stand apart on an outdoor terrace with a metal railing, set against a bright urban campus backdrop with trees and buildings. On the left, a young man in a light blue oversized shirt holds an open blue umbrella despite the clear, sunny sky. On the right, a young woman with her hair in a bun wears a white mesh top and a blue polka-dot midi skirt. Both face the camera with neutral, serious expressions.

    The Japan Foundation Touring Film Programme 2026: She Taught Me Serendipity


    Cinema
  8. A Japanese doctor in a white lab coat with a stethoscope sits across from a female Japanese patient in a medical examination room. Between them are a sink on a stand and an adjustable lamp. An examination table with a white paper cover is visible in the background.

    The Japan Foundation Touring Film Programme 2026: Blue Boy Trial


    Cinema
  9. A close-up image of Elvis Presley during his Las Vegas residency, with long sideburns and a sweaty head of hair. A microphone is in front of his mouth and we can see shadows of band members behind him in front of a dark red backdrop.

    EPiC: Elvis Presley In Concert


    Cinema
  10. A sombre looking woman in her forties with long brunette hair (Rose Byrne) lies on a bed, her head propped up by her left hand. She is hugging a white stuffed plushie and the image is lit up in stark red.

    If I Had Legs, I'd Kick You


    Cinema
  11. A young Black man stands next to a young white man in a prison corridor. The Black man is wearing a grey tracksuit and the white man is wearing a white vest with dark blue trousers. He also has tattoos across his arms and neck. They both wear sombre expressions. Behind them is an open door to what looks like a cleaning cupboard.

    Wasteman


    Cinema
  12. A young white man reclines against pink cushions, shirtless and wearing a jeweled, sequined costume with blue and pink embellishments. He holds a snake aloft in one hand while a large, fan-like peacock feather display spreads behind him in shimmering teal and gold. The scene has a theatrical, fantastical quality with rich, saturated colors.

    Pink Narcissus


    Cinema
  13. Donald Rodney: Three Songs On Pain, Time and Light


    Free
  14. We see a heavily stylized image of an older Black man (David Harewood), a younger white woman with blonde hair (Caitlin Fitzgerald) and a balding older white man (Toby Jones) standing next to each other, all wearing black and all looking in different directions. The rest of the image is almost enturely red, with a yellow line of light shining horizontally across the eyes of each of the peopl.

    Othello


    Cinema
  15. Queen Elizabeth II (played by Helen Mirren) stares out into the distance, wearing a bright blue dress with a pearl brooch pinned on it just underneath her left shoulder. She holds a handbag on her left arm. We can see a young girl in the background, blurry but noticeably wearing a frilly white dress.

    NT Live: The Audience


    Cinema
  16. Animated image of Porky Pig in a white spacesuit as he runs away from a flying saucer behind him, which is emanating a green ray. We see flames all around him as he runs across what appears to be the surface of a rocky planet.

    Pay What You Choose: Looney Tunes - The Day The Earth Blew Up


    Cinema
  17. An animated image of a young Asian girl holding onto the back of a superhero character who is wearing a red suit. A multi-coloured cape billows around them as they head directly towards the viewer, with bright beams of light emanating from the superhero's head.

    Arco


    Cinema
  18. A woman in a red dress and apron stands facing a man in a gray shirt in a lush, moss-covered forest setting. They appear to be having an intimate conversation among fallen logs, ferns, and dense green vegetation. The natural lighting filters through the trees, creating a romantic and atmospheric woodland scene.

    Cinema Bambino: Hamnet


    Cinema
  19. A woman in her forties dressed in 18th century clothing holds her hands out to the ceiling of the room she is standing in, her eyes lifted up to the heavens in ecastasy. Around her lots of men and women dance and flail around her, some of their images blurry. We see paintings and candelabras on the walls.

    The Testament Of Ann Lee


    Cinema
  20. A young Iraqi girl in a school uniform — white blouse and dark pinafore — carries a large rooster in her arms while facing an older seated man wearing a kufi cap and glasses. They appear to be in conversation inside a covered market or bazaar, with goods and food items visible on tables behind the man.

    The President’s Cake


    Cinema
  21. The image shows a sombre family scene with two adults and two children sitting on a bed against a weathered wall, capturing the intimate and difficult circumstances portrayed in the film. One of the children is resting their head on their mother's lap. The warm, muted color palette and naturalistic setting are characteristic of the film's visual style.

    All That's Left Of You


    Cinema
  22. A bright animated image showing a young girl with short black hair crouched down in a forest glade, her left hand resting on a body lying on the floor. The body is covered with a very bright multicoloured cape and the person beneath it appears to be covered in a red body suit.

    Colour Box: Arco


    Cinema
  23. A Baroque painting from the 17th century, showing a dramatic religious scene. The composition features an elderly, bearded figure with a halo (indicating sainthood) in the lower portion, rendered in warm earth tones of orange and brown. Above him, an angel figure in flowing white drapery appears to be descending or in motion against a dark background. The painting demonstrates classic Baroque characteristics: dramatic chiaroscuro (the stark contrast between light and dark), dynamic movement suggested by the flowing fabrics and positioning of the figures, and the theatrical, emotionally charged composition. The use of tenebrism - where figures emerge from deep shadows into dramatic light - is particularly evident here.

    Exhibition On Screen: Caravaggio


    Cinema
  24. The image shows a young woman in the foreground, dressed in a burgundy or rust-colored garment, with her hands clasped together in what appears to be prayer or anguish. She's positioned at what looks like a wooden barrier or railing, with a large crowd of period-dressed townspeople gathered behind her, all wearing earth-toned clothing and various head coverings typical of peasants and commoners from that era.

    Hamnet


    Cinema