Cinema

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List of Events

  1. The image shows a young woman in the foreground, dressed in a burgundy or rust-colored garment, with her hands clasped together in what appears to be prayer or anguish. She's positioned at what looks like a wooden barrier or railing, with a large crowd of period-dressed townspeople gathered behind her, all wearing earth-toned clothing and various head coverings typical of peasants and commoners from that era.

    Hamnet

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  2. We see two men in formal 1930s or 1940s-era attire sharing an intimate, warm moment at a piano. The scene has a rich, golden-toned lighting that creates an atmosphere of elegance and closeness. One man is seated at the piano while the other leans in close, both smiling genuinely at each other.

    The History of Sound

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  3. This is a striking image that captures an unusual and intimate moment. A woman is filming a bird of prey—which appears to be a hawk or similar raptor—perched on a stand indoors. The bird is positioned on what looks like a small table or perch, and she's getting quite close with what appears to be a video camera or camcorder. The woman's posture shows concentration and careful observation—she's maintaining a respectful distance while trying to capture footage, and the bird seems unbothered by her presence. The lighting and composition give the image a cinematic quality, almost like a still from a film.

    Cinema Bambino: H is For Hawk

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  4. A fuzzy image of a South Asian man (Riz Ahmed) in his forties as he walks along a street in London, giant neon lettering behind him that start to spell out the word 'Bazaar.'

    Hamlet

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  5. A photograph of a female falconer with their bird. The image shows a woman in outdoor clothing (an olive green jacket and blue layers) holding what appears to be a goshawk or similar raptor perched on her gloved hand. The bird has distinctive blue-grey plumage on its back and a barred pattern on its chest. The setting is atmospheric – captured during golden hour with soft, warm light illuminating dry grasses in the background while darker vegetation creates depth. The falconer's gaze is directed away from the camera, suggesting a moment of focus or contemplation, perhaps scanning the landscape or watching for prey.

    H Is For Hawk

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  6. A man in his fifties (Martin Freeman) with grey hair looks off to the left of the frame. He is wearing a blue denim shirt and a light brown jacket.

    NT Live: The Fifth Step

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  7. Four professionals are gathered around a laptop. A man in a white sweater is seated at the center, holding a phone while working on the laptop. Three women are standing around him, leaning in - one wearing a beige blouse on the left, one in a white hijab in the center-back, and one in blue on the right.

    The Voice of Hind Rajab

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  8. We see a scene from what looks like a sauna or steam room, with two men sitting against a distinctive terracotta-tiled wall. The younger man on the right is wearing an Ireland national team football jersey with "eircom" sponsorship visible on it. The older man on the left has a towel draped around his shoulders.

    Saipan

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  9. The black and white image shows a film production on location in Paris, with the Arc de Triomphe visible in the background. The scene depicts a director (in the suit and fedora) working with an actress wearing a "New York Herald Tribune" sweater - a distinctive costume choice that became iconic in French cinema of this era. Behind them, crew members are setting up equipment, including what looks like a camera on a tripod under a cloth covering.

    Nouvelle Vague

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  10. A Baroque painting from the 17th century, showing a dramatic religious scene. The composition features an elderly, bearded figure with a halo (indicating sainthood) in the lower portion, rendered in warm earth tones of orange and brown. Above him, an angel figure in flowing white drapery appears to be descending or in motion against a dark background. The painting demonstrates classic Baroque characteristics: dramatic chiaroscuro (the stark contrast between light and dark), dynamic movement suggested by the flowing fabrics and positioning of the figures, and the theatrical, emotionally charged composition. The use of tenebrism - where figures emerge from deep shadows into dramatic light - is particularly evident here.

    Exhibition On Screen: Caravaggio + Q&A

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  11. The animated image shows two characters - a small child character with distinctive features including mismatched eyes and stitched-looking hair, wearing a dark striped sweater and holding a candle in a candlestick holder. They're looking up at a much larger character who appears to be some kind of creature or monster with orange/brown fur, large expressive eyes with green irises, and a gentle, friendly expression.

    Stitch Head

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  12. We see a collection of cartoon animals in a staged pose - a fox in a tie and pink shirt with a sly grin on his face, a large blue snake with a huge smile on its face and a cheery bunny rabbit wearing human clothes. They all stare at the camera smiling and are standing on the edge of what looks like a wooden dock, with a pile or rope on the right hand side of the image.

    Pay What You Choose: Zootropolis 2

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  13. Hand drawn artwork showing a young person in profile, holding what appears to be a small bundled cloth or bag, set against a warm, golden-orange sky. The character is wearing a backpack and simple clothing.

    Falasteen On Film Animated Shorts

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  14. This is a joyful photograph showing a group of Palestinian children and young people gathered together, appearing to be in good spirits. In the front row, several younger boys are smiling at the camera, with one wearing a light-colored sweatshirt and another in a gray shirt. There is a grey bird sitting on the shoulder of the central child. Behind them stand older youths in casual clothing including hoodies and jackets.

    Falasteen On Film presents With Hasan In Gaza

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  15. A photograph of two Palestinian young boys sitting together on a couch. The older boy on the right is wearing a plaid shirt and appears to be using sign language towards the camera, while the younger boy on the left in a yellow t-shirt with "ROCK" printed on it has his hand near his mouth in a shy pose. They're seated on what looks like a dark velvet couch with decorative fringe trim against a plain white wall.

    Falasteen On Film Accessible Shorts

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  16. An Asian man in his forties holds up a large ceramic or porcelain pot that's being creatively repurposed as a planter, with a small tree growing from it. The pot appears to be a traditional Asian-style container, possibly a vintage piece, with blue decorative elements visible on its white surface. The drainage holes at the bottom are clearly visible. The photograph is taken from a low angle, making the person and pot appear dramatic against the cloudy sky. In the background, you can see a multi-story residential building and some hillside greenery, suggesting an urban Asian setting.

    No Other Choice

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  17. A young male table tennis player with a moustache and glasses is captured mid-action during what appears to be a competitive match. The dramatic lighting creates a cinematic quality, with the player emerging from a dark background while intensely focused on the game. He's wearing a black athletic shirt and is shown in a ready position, holding a red paddle extended forward.

    Marty Supreme

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  18. Man in black formal coat and glasses gesturing while stood in front of a seated audience in a church. He is conducting a choir.

    The Choral

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  19. Queen Elizabeth II (played by Helen Mirren) stares out into the distance, wearing a bright blue dress with a pearl brooch pinned on it just underneath her left shoulder. She holds a handbag on her left arm. We can see a young girl in the background, blurry but noticeably wearing a frilly white dress.

    NT Live: The Audience

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  20. A striking cinematic close-up of a younger woman with wet blonde hair and piercing blue eyes staring at herself in the mirror. The image features dramatic lighting with warm, golden tones illuminating the subject's face against a darker background. The composition creates an intimate, contemplative mood with the direct gaze toward the camera.

    The Chronology Of Water

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  21. This image has a striking, ritualistic atmosphere. It shows five figures standing in what appears to be a nighttime forest ceremony. The scene is dramatically lit with flames on the ground and tall wooden posts or totems in the background, some adorned with what look like starburst decorations. The central figure in the foreground wears black clothing with chains and a cross necklace, with shoulder-length blonde hair, hands positioned as if in prayer or ritual gesture. The four figures behind are arranged in a line, with the leftmost wearing red, and the others in darker clothing. The rightmost figure appears to be holding something up.

    28 Years Later: The Bone Temple

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  22. Animated hand-drawn image of a joyful child floating in water, wearing a bright orange and yellow inflatable swim ring. The scene is viewed from above, revealing lily pads with pink lotus flowers scattered across the blue water's surface. The art style has a charming, animated quality with soft colors and a playful energy.

    Colour Box: Little Amelie

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  23. We see a heavily stylized image of an older Black man (David Harewood), a younger white woman with blonde hair (Caitlin Fitzgerald) and a balding older white man (Toby Jones) standing next to each other, all wearing black and all looking in different directions. The rest of the image is almost enturely red, with a yellow line of light shining horizontally across the eyes of each of the peopl.

    Othello

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  24. A man (Jacob Elordi) and woman (Margot Robbie) in period costume stand on a windswept Yorkshire moor. They both wear black, with the blonde haired woman wearing a black veil that billows in the wind behind her. She also has a gold cross on the front of her dress. They both wear sombre expression.

    Wuthering Heights

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