Cinema

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List of Events

  1. Queen Elizabeth II (played by Helen Mirren) stares out into the distance, wearing a bright blue dress with a pearl brooch pinned on it just underneath her left shoulder. She holds a handbag on her left arm. We can see a young girl in the background, blurry but noticeably wearing a frilly white dress.

    NT Live: The Audience

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  2. Animated image of Porky Pig in a white spacesuit as he runs away from a flying saucer behind him, which is emanating a green ray. We see flames all around him as he runs across what appears to be the surface of a rocky planet.

    Pay What You Choose: Looney Tunes - The Day The Earth Blew Up

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  3. An animated image of a young Asian girl holding onto the back of a superhero character who is wearing a red suit. A multi-coloured cape billows around them as they head directly towards the viewer, with bright beams of light emanating from the superhero's head.

    Arco

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  4. A woman in a red dress and apron stands facing a man in a gray shirt in a lush, moss-covered forest setting. They appear to be having an intimate conversation among fallen logs, ferns, and dense green vegetation. The natural lighting filters through the trees, creating a romantic and atmospheric woodland scene.

    Cinema Bambino: Hamnet

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  5. A woman in her forties dressed in 18th century clothing holds her hands out to the ceiling of the room she is standing in, her eyes lifted up to the heavens in ecastasy. Around her lots of men and women dance and flail around her, some of their images blurry. We see paintings and candelabras on the walls.

    The Testament Of Ann Lee

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  6. A young Iraqi girl in a school uniform — white blouse and dark pinafore — carries a large rooster in her arms while facing an older seated man wearing a kufi cap and glasses. They appear to be in conversation inside a covered market or bazaar, with goods and food items visible on tables behind the man.

    The President’s Cake

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  7. The image shows a sombre family scene with two adults and two children sitting on a bed against a weathered wall, capturing the intimate and difficult circumstances portrayed in the film. One of the children is resting their head on their mother's lap. The warm, muted color palette and naturalistic setting are characteristic of the film's visual style.

    All That's Left Of You

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  8. A bright animated image showing a young girl with short black hair crouched down in a forest glade, her left hand resting on a body lying on the floor. The body is covered with a very bright multicoloured cape and the person beneath it appears to be covered in a red body suit.

    Colour Box: Arco

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  9. A Baroque painting from the 17th century, showing a dramatic religious scene. The composition features an elderly, bearded figure with a halo (indicating sainthood) in the lower portion, rendered in warm earth tones of orange and brown. Above him, an angel figure in flowing white drapery appears to be descending or in motion against a dark background. The painting demonstrates classic Baroque characteristics: dramatic chiaroscuro (the stark contrast between light and dark), dynamic movement suggested by the flowing fabrics and positioning of the figures, and the theatrical, emotionally charged composition. The use of tenebrism - where figures emerge from deep shadows into dramatic light - is particularly evident here.

    Exhibition On Screen: Caravaggio

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  10. The image shows a young woman in the foreground, dressed in a burgundy or rust-colored garment, with her hands clasped together in what appears to be prayer or anguish. She's positioned at what looks like a wooden barrier or railing, with a large crowd of period-dressed townspeople gathered behind her, all wearing earth-toned clothing and various head coverings typical of peasants and commoners from that era.

    Hamnet

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  11. We see a collection of men and women of different ages wearing black early 20th century clothing. They all face away from the camera apart from a small blonde haired child who stands amongst them, looking directly at the camera with a sombre expression. We can see a staircase behind them.

    Sound Of Falling

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  12. A bearded, scruffy man in his fifties wearing a ragged beanie hat stares with an incredulous expression at the viewer. He is wearing a shiny silver suit with black pipes sticking out of it and various random objects are floating around him, including a small wheel and a toy soldier.

    Good Luck, Have Fun, Don't Die

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  13. We see a man in a white military-style uniform seated at the head of a long white-draped table, staring directly at the camera with a stern expression. Several women are seated on both sides of the table, eating from bowls and plates with uneasy, somber expressions. The room has tall windows with slatted blinds in the background, casting a cold, institutional atmosphere.

    The Tasters

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  14. A lone figure stands on a mist-shrouded bridge, bathed in ethereal blue light. Rays of light pierce through what appears to be a large latticed skylight or industrial ceiling above, cutting through thick fog or smoke below. The person — head bowed, dressed in dark clothing — leans against a wooden railing, creating a silhouette that feels deeply contemplative.

    Resurrection

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  15. A younger woman (Julie Christie) with tousled blonde hair and blue eyes, dressed in a dark Victorian-era cloak with a lace collar, stands against a moss-covered tree in a woodland setting. The image has a warm, vintage film quality.

    Far From The Madding Crowd

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  16. NT Live: All My Sons

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  17. We see a bespectacled teacher in a classroom setting, holding up what appears to be a small object, demonstrating something science-related to students, wearing a tweed blazer, striped shirt, red tie, and a "G.C.M.S." school ID lanyard. Behind him is a collection of flags, including the US flag, and a computer screen.

    Cinema Bambino: Project Hail Mary

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  18. We see a family - a father, mother and three children - moving along a high rocky outcrop, a black and white dog by their feet. They each have rucksacks on and we can see patches of green on the rocks as they move down the mountain.

    The Love That Remains

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  19. We see a bespectacled man seated in what appears to be a spacecraft cockpit, wearing an orange safety harness over a casual t-shirt and glasses. The cockpit is filled with glowing instrument panels, switches, and screens. His left hand is raised as he holds onto something above him and he also has what looks like a small screwdriver or pen behind his right ear.

    Project Hail Mary

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  20. An older woman with short blonde hair (Marianna Faithfull), dressed in a black blazer and tie, sits at a desk examining papers. A younger man in a white dress shirt and loosened tie leans over the desk beside her, holding glasses in one hand and pointing at documents with the other. A large, dramatic close-up of a face is projected on the backdrop behind them.

    Broken English

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  21. A young man with messy black hair and wearing dark clothes and a choker necklace with a diamond pattern sits on a bench in a wooded area. Next to him, leaning on his left arm, sits an older middle aged woman with chestnut coloured hair holding a cigarette. She has her bare feet up on the bench and is wearing blue jeans, a pale blouse and a brown scarf.

    Sunday Bloody Sunday

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  22. Two middle-aged adults stand facing each other on a bridge over an Amsterdam canal, holding hands. The man wears a dark grey coat and scarf; the woman wears a teal coat with a plaid burgundy scarf. In the background, a historic clock tower rises above tree-lined canal banks flanked by traditional Dutch brick buildings, with boats and bicycles visible along the waterway.

    Midwinter Break

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  23. The image shows an elderly man in a dark navy double-breasted suit with a patterned tie and gold-framed glasses. He has a stern, serious expression and silver hair. He looks at the viewer and we also see three blurred figures in the background.

    La Grazia

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  24. A woman with blonde hair (Jessie Buckley) lies unconscious on a flat surface, wearing a gold metallic top and a voluminous orange skirt. Metallic tubes and cables are attached to her torso, spreading outward like mechanical tendrils. Two large spherical devices flank her on either side. The background is filled with a tangle of wires and cables in a dimly lit, industrial setting. The image has a dramatic gothic aesthetic.

    The Bride!

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