List of Events

  1. The image shows a sombre family scene with two adults and two children sitting on a bed against a weathered wall, capturing the intimate and difficult circumstances portrayed in the film. One of the children is resting their head on their mother's lap. The warm, muted color palette and naturalistic setting are characteristic of the film's visual style.

    All That's Left Of You


    Cinema
  2. A bright animated image showing a young girl with short black hair crouched down in a forest glade, her left hand resting on a body lying on the floor. The body is covered with a very bright multicoloured cape and the person beneath it appears to be covered in a red body suit.

    Colour Box: Arco


    Cinema
  3. A Baroque painting from the 17th century, showing a dramatic religious scene. The composition features an elderly, bearded figure with a halo (indicating sainthood) in the lower portion, rendered in warm earth tones of orange and brown. Above him, an angel figure in flowing white drapery appears to be descending or in motion against a dark background. The painting demonstrates classic Baroque characteristics: dramatic chiaroscuro (the stark contrast between light and dark), dynamic movement suggested by the flowing fabrics and positioning of the figures, and the theatrical, emotionally charged composition. The use of tenebrism - where figures emerge from deep shadows into dramatic light - is particularly evident here.

    Exhibition On Screen: Caravaggio


    Cinema
  4. We see a collection of men and women of different ages wearing black early 20th century clothing. They all face away from the camera apart from a small blonde haired child who stands amongst them, looking directly at the camera with a sombre expression. We can see a staircase behind them.

    Sound Of Falling


    Cinema
  5. A bearded, scruffy man in his fifties wearing a ragged beanie hat stares with an incredulous expression at the viewer. He is wearing a shiny silver suit with black pipes sticking out of it and various random objects are floating around him, including a small wheel and a toy soldier.

    Good Luck, Have Fun, Don't Die


    Cinema
  6. Half A String: Tiny Planet


    Family
  7. We see a man in a white military-style uniform seated at the head of a long white-draped table, staring directly at the camera with a stern expression. Several women are seated on both sides of the table, eating from bowls and plates with uneasy, somber expressions. The room has tall windows with slatted blinds in the background, casting a cold, institutional atmosphere.

    The Tasters


    Cinema
  8. Made in the Middle: BSL Tour with Oliver Jamin


    Talks
  9. Reggaerobics & SoFunk Mash-up


    Free
  10. A lone figure stands on a mist-shrouded bridge, bathed in ethereal blue light. Rays of light pierce through what appears to be a large latticed skylight or industrial ceiling above, cutting through thick fog or smoke below. The person — head bowed, dressed in dark clothing — leans against a wooden railing, creating a silhouette that feels deeply contemplative.

    Resurrection


    Cinema
  11. A younger woman (Julie Christie) with tousled blonde hair and blue eyes, dressed in a dark Victorian-era cloak with a lace collar, stands against a moss-covered tree in a woodland setting. The image has a warm, vintage film quality.

    Far From The Madding Crowd


    Cinema
  12. Culture Club: Print Your Memory


    Community
  13. NT Live: All My Sons


    Cinema
  14. TDE: Let Spin


    Music
  15. We see a bespectacled teacher in a classroom setting, holding up what appears to be a small object, demonstrating something science-related to students, wearing a tweed blazer, striped shirt, red tie, and a "G.C.M.S." school ID lanyard. Behind him is a collection of flags, including the US flag, and a computer screen.

    Cinema Bambino: Project Hail Mary


    Cinema
  16. We see a family - a father, mother and three children - moving along a high rocky outcrop, a black and white dog by their feet. They each have rucksacks on and we can see patches of green on the rocks as they move down the mountain.

    The Love That Remains


    Cinema
  17. We see a bespectacled man seated in what appears to be a spacecraft cockpit, wearing an orange safety harness over a casual t-shirt and glasses. The cockpit is filled with glowing instrument panels, switches, and screens. His left hand is raised as he holds onto something above him and he also has what looks like a small screwdriver or pen behind his right ear.

    Project Hail Mary


    Cinema
  18. An older woman with short blonde hair (Marianna Faithfull), dressed in a black blazer and tie, sits at a desk examining papers. A younger man in a white dress shirt and loosened tie leans over the desk beside her, holding glasses in one hand and pointing at documents with the other. A large, dramatic close-up of a face is projected on the backdrop behind them.

    Broken English


    Cinema
  19. I'm Muslamic Don't Panik


    Theatre
  20. A young man with messy black hair and wearing dark clothes and a choker necklace with a diamond pattern sits on a bench in a wooded area. Next to him, leaning on his left arm, sits an older middle aged woman with chestnut coloured hair holding a cigarette. She has her bare feet up on the bench and is wearing blue jeans, a pale blouse and a brown scarf.

    Sunday Bloody Sunday


    Cinema
  21. Stopgap Dance Company: Lived Fiction


    Theatre and Dance
  22. Two middle-aged adults stand facing each other on a bridge over an Amsterdam canal, holding hands. The man wears a dark grey coat and scarf; the woman wears a teal coat with a plaid burgundy scarf. In the background, a historic clock tower rises above tree-lined canal banks flanked by traditional Dutch brick buildings, with boats and bicycles visible along the waterway.

    Midwinter Break


    Cinema
  23. A woman with blonde hair (Jessie Buckley) lies unconscious on a flat surface, wearing a gold metallic top and a voluminous orange skirt. Metallic tubes and cables are attached to her torso, spreading outward like mechanical tendrils. Two large spherical devices flank her on either side. The background is filled with a tangle of wires and cables in a dimly lit, industrial setting. The image has a dramatic gothic aesthetic.

    The Bride!


    Cinema
  24. A dynamic long-exposure photograph of a dance or performance group wearing matching grey hooded sweatshirts against a teal-lit background. Multiple exposures create ghostly motion trails showing dancers in various poses with outstretched arms.

    Verve


    Dance